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    In philosophy desire has been identified as a philosophical problem in realising the highest state of human nature 'Moksh '.

    In Plato 's The Republic , Socrates argues that individual desires must be postponed in the name of the higher ideal. Within the teachings of Buddhism , craving is thought to be the cause of all suffering.

    By eliminating craving, a person can attain ultimate happiness, or Nirvana. While on the path to liberation, a practitioner is advised to "generate desire" for skillful ends.

    In Aristotle 's De Anima the soul is seen to be involved in motion, because animals desire things and in their desire, they acquire locomotion.

    Aristotle argued that desire is implicated in animal interactions and the propensity of animals to motion. But Aristotle acknowledges that desire cannot account for all purposive movement towards a goal.

    He brackets the problem by positing that perhaps reason , in conjunction with desire and by way of the imagination , makes it possible for one to apprehend an object of desire, to see it as desirable.

    In this way reason and desire work together to determine what is a good object of desire. This resonates with desire in the chariots of Plato's Phaedrus , for in the Phaedrus the soul is guided by two horses, a dark horse of passion and a white horse of reason.

    Here passion and reason, as in Aristotle, are also together. Socrates does not suggest the dark horse be done away with, since its passions make possible a movement towards the objects of desire, but he qualifies desire and places it in a relation to reason so that the object of desire can be discerned correctly, so that we may have the right desire.

    Aristotle distinguishes desire into two aspects of appetition , and volition. Appetition, or appetite, is a longing for or seeking after something.

    Desire in Immanuel Kant can represent things that are absent and not only objects at hand. Desire is also the preservation of objects already present, as well as the desire that certain effects not appear, that what affects one adversely be curtailed and prevented in the future.

    Moral and temporal values attach to desire in that objects which enhance one's future are considered more desirable than those that do not, and it introduces the possibility, or even necessity, of postponing desire in anticipation of some future event, anticipating Sigmund Freud 's text Beyond the Pleasure Principle.

    See also, the pleasure principle in psychology. An early example of desire as an ontological principle, it applies to all things or "modes" in the world, each of which has a particular vital "striving" sometimes expressed with the Latin "conatus" to persist in existence Part III, Proposition 7.

    Different striving beings have different levels of power, depending on their capacity to persevere in being. Affects, or emotions which are divided into the joyful and the sad , alter our level of power or striving: joy is a passage "from a lesser to a greater perfection" or degree of power III Prop.

    Desire, qualified by the imagination and the intellect, is an attempt to maximize power, to "strive to imagine those things that increase or aid the body's power of acting.

    Spinoza ends the Ethics by a proposition that both moral virtue and spiritual blessedness are a direct result of essential power to exist, i.

    Motion is put into effect by desire, passions, and inclinations. It is desire, along with belief, that motivates action. Immanuel Kant establishes a relation between the beautiful and pleasure in Critique of Judgment.

    He says "I can say of every representation that it is at least possible as a cognition it should be bound up with a pleasure.

    Of representation that I call pleasant I say that it actually excites pleasure in me. But the beautiful we think as having a necessary reference to satisfaction.

    Georg Wilhelm Friedrich Hegel begins his exposition of desire in Phenomenology of Spirit with the assertion that "self-consciousness is the state of desire German : Begierde in general.

    Hegel's inflection of desire via stoicism becomes important in understanding desire as it appears in Marquis de Sade.

    Stoicism in this view has a negative attitude towards "otherness, to desire, and work. Reading Maurice Blanchot in this regard, in his essay Sade's Reason , the libertine is one of a type that sometimes intersects with a Sadean man, who finds in stoicism, solitude, and apathy the proper conditions.

    Blanchot writes, "the libertine is thoughtful, self-contained, incapable of being moved by just anything.

    Blanchot writes that in Sade, "for passion to become energy, it is necessary that it be constricted, that it be mediated by passing through a necessary moment of insensibility, then it will be the greatest passion possible.

    Blanchot says, "Apathy is the spirit of negation, applied to the man who has chosen to be sovereign. In his Principia Ethica , British philosopher G.

    Moore argued that two theories of desire should be clearly distinguished. The hedonistic theory of John Stuart Mill states that pleasure is the sole object of all desire.

    Mill suggests that a desire for an object is caused by an idea of the possible pleasure that would result from the attainment of the object.

    The desire is fulfilled when this pleasure is achieved. On this view, the pleasure is the sole motivating factor of the desire.

    Desire is the emotion of longing or hoping for a person, object, or outcome. The same sense is expressed by words such as " craving ".

    When a person desires something or someone, their sense of longing is excited by the enjoyment or the thought of the item or person, and they want to take actions to obtain their goal.

    The motivational aspect of desire has long been noted by philosophers for example, stating that human desire is the fundamental motivation of all human action as well as by scientists see motivational salience.

    Marketing and advertising companies have used psychological research on how desire is stimulated to find more effective ways to induce consumers into buying a given product or service.

    While some advertising attempts to give buyers a sense of lack or wanting, other types of advertising create desire associating the product with desirable attributes, by showing either a celebrity or a model with the product.

    Desire plays a key role in art. The theme of desire is at the core of romance novels, which often create drama by showing cases where human desire is impeded by social conventions , class , or cultural barriers.

    The theme of desire is also used in other literary genres, such as Gothic novels e. Poets ranging from Homer to Toni Morrison have dealt with the theme of desire in their work.

    Just as desire is central to the written fiction genre of romance, it is the central theme of melodrama films, which use plots that appeal to the heightened emotions of the audience by showing "crises of human emotion, failed romance or friendship", in which desire is thwarted or unrequited.

    In philosophy, desire has been identified as a philosophical problem since Antiquity. In The Republic , Plato argues that individual desires must be postponed in the name of the higher ideal.

    In De Anima , Aristotle claims that desire is implicated in animal interactions and the propensity of animals to motion; at the same time, he acknowledges that reasoning also interacts with desire.

    Hobbes — proposed the concept of psychological hedonism , which asserts that the "fundamental motivation of all human action is the desire for pleasure.

    David Hume — claimed that desires and passions are non-cognitive, automatic bodily responses, and he argued that reasoning is "capable only of devising means to ends set by [bodily] desire".

    Immanuel Kant — called any action based on desires a hypothetical imperative , which means they are a command of reason, applying only if one desires the goal in question.

    Georg Wilhelm Friedrich Hegel claimed that "self-consciousness is desire". Because desire can cause humans to become obsessed and embittered, it has been called one of the causes of woe for mankind.

    The eradication of craving leads one to ultimate happiness, or Nirvana. However, desire for wholesome things is seen as liberating and enhancing. For an individual to effect his or her liberation, the flow of sense-desire must be cut completely; however, while training, he or she must work with motivational processes based on skillfully applied desire.

    There is a double message here between what Buddha said, that desire must be created, and what some monks propose to their followers, that desire must be cut.

    Truth is Buddhism entails two aspects: the ideas monks taught to civilize peasantry, on the one hand, and the esoteric teachings of tantra aimed at leaders for self-realization, on the other, where—just as Buddha said—desire must be generated.

    Oscar R. People have a tendency to live based on desires coming from the outside, and such desires are the ones making choices for them. As an alternative, tantric Tibetan Buddhism allows to choose a desire consciously; to create desire rather than being created by it.

    Within Christianity, desire is seen as something that can either lead a person towards God or away from him. Desire is not considered to be a bad thing in and of itself; rather, it is a powerful force within the human that, once submitted to the Lordship of Christ, can become a tool for good, for advancement, and for abundant living.

    In Hinduism , the Rig Veda's creation myth Nasadiya Sukta states regarding the one ekam spirit: "In the beginning there was Desire kama that was first seed of mind.

    Poets found the bond of being in non-being in their heart's thought". While desires are often classified as emotions by laypersons, psychologists often describe desires as different from emotions.

    On the other hand, emotions arise from a person's mental state. A study by the University of Michigan indicated that, while humans experience desire and fear as psychological opposites, they share the same brain circuit.

    In affective neuroscience , "desire" and "wanting" are operationally defined as motivational salience ; [10] [11] the form of "desire" or "wanting" associated with a rewarding stimulus i.

    Austrian psychiatrist Sigmund Freud , who is best known for his theories of the unconscious mind and the defense mechanism of repression and for creating the clinical practice of psychoanalysis, proposed the notion of the Oedipus complex , which argues that desire for the mother creates neuroses in their sons.

    Freud used the Greek myth of Oedipus to argue that people desire incest and must repress that desire.

    He claimed that children pass through several stages, including a stage in which they fixate on the mother as a sexual object. That this "complex" is universal has long since been disputed.

    Even if it were true, that would not explain those neuroses in daughters, but only in sons. While it is true that sexual confusion can be aberrative in a few cases, there is no credible evidence to suggest that it is a universal scenario.

    While Freud was correct in labeling the various symptoms behind most compulsions, phobias and disorders, he was largely incorrect in his theories regarding the etiology of what he identified.

    French psychoanalyst and psychiatrist Jacques Lacan — argues that desire first occurs during a "mirror phase" of a baby's development, when the baby sees an image of wholeness in a mirror which gives them a desire for that being.

    As a person matures, Lacan claims that they still feel separated from themselves by language, which is incomplete, and so a person continually strives to become whole.

    He uses the term " jouissance " to refer to the lost object or feeling of absence see manque which a person believes to be unobtainable.

    In the field of marketing , desire is the human appetite for a given object of attention. Desire for a product is stimulated by advertising, which attempts to give buyers a sense of lack or wanting.

    In store retailing, merchants attempt to increase the desire of the buyer by showcasing the product attractively, in the case of clothes or jewellery, or, for food stores, by offering samples.

    With print, TV, and radio advertising, desire is created by giving the potential buyer a sense of lacking "Are you still driving that old car?

    Nike's "Just Do It" ads for sports shoes are appealing to consumers' desires for self-betterment. In some cases, the potential buyer already has the desire for the product before they enter the store, as in the case of a decorating buff entering their favorite furniture store.

    The role of the salespeople in these cases is simply to guide the customer towards making a choice; they do not have to try to "sell" the general idea of making a purchase, because the customer already wants the products.

    In other cases, the potential buyer does not have a desire for the product or service, and so the company has to create the sense of desire.

    An example of this situation is for life insurance. Most young adults are not thinking about dying, so they are not naturally thinking about how they need to have accidental death insurance.

    Life insurance companies, though, are attempting to create a desire for life insurance with advertising that shows pictures of children and asks "If anything happens to you, who will pay for the children's upkeep?

    Marketing theorists call desire the third stage in the hierarchy of effects, which occurs when the buyer develops a sense that if they felt the need for the type of product in question, the advertised product is what would quench their desire.

    The theme of desire is at the core of the romance novel. Forster 's novels use homoerotic codes to describe same-sex desire and longing.

    Close male friendships with subtle homoerotic undercurrents occur in every novel, which subverts the conventional, heterosexual plot of the novels.

    When the Lucy character is seduced by Dracula, she describes her sensations in the graveyard as a mixture of fear and blissful emotion.

    Poet W. Some poems depict desire as a poison for the soul; Yeats worked through his desire for his beloved, Maud Gonne, and realized that "Our longing, our craving, our thirsting for something other than Reality is what dissatisfies us".

    In "The Rose for the World", he admires her beauty, but feels pain because he cannot be with her. In the poem "No Second Troy", Yeats overflows with anger and bitterness because of their unrequited love.

    Eliot dealt with the themes of desire and homoeroticism in his poetry, prose and drama. Philippe Borgeaud's novels analyse how emotions such as erotic desire and seduction are connected to fear and wrath by examining cases where people are worried about issues of impurity, sin, and shame.

    Just as desire is central to the written fiction genre of romance, it is the central theme of melodrama films, which are a subgenre of the drama film.

    Like drama, a melodrama depends mostly on in-depth character development, interaction, and highly emotional themes. Melodramatic films tend to use plots that appeal to the heightened emotions of the audience.

    Melodramatic plots often deal with "crises of human emotion, failed romance or friendship, strained familial situations, tragedy, illness, neuroses, or emotional and physical hardship.

    Scarlett desires love, money, the attention of men, and the vision of being a virtuous "true lady". Rhett Butler desires to be with Scarlett, which builds to a burning longing that is ultimately his undoing, because Scarlett keeps refuses his advances; when she finally confesses her secret desire, Rhett is worn out and his longing is spent.

    In Cathy Cupitt's article on "Desire and Vision in Blade Runner", she argues that film, as a "visual narrative form, plays with the voyeuristic desires of its audience".

    Focusing on the dystopian s science fiction film Blade Runner , she calls the film an "Object of Visual Desire", in which it plays to an "expectation of an audience's delight in visual texture, with the 'retro-fitted' spectacle of the post-modern city to ogle" and with the use of the "motif of the 'eye'".

    In the film, "desire is a key motivating influence on the narrative of the film, both in the 'real world', and within the text. From Wikipedia, the free encyclopedia.

    Redirected from Desire emotion. Emotion of longing for a person, object or outcome.

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